Showing posts with label Description and Travel. Show all posts
Showing posts with label Description and Travel. Show all posts

Friday, April 19, 2013

Freer/Sackler: Iran in Photograph

Iran in Photographs
The art of photography was introduced to Iran more than 150 years ago. Browse this site to view hundreds of photographs taken in the late nineteenth and early twentieth century, from distinguished images of the Qajar royal family and expansive views of Persepolis to glimpses of everyday in life on the streets of Tehran. Explore the use of glass-plate negatives in early photography, research archival records, learn about collectors, and take an intimate look at life in Iran a century ago.

The Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery contain more than 1,100 original prints and glass-plate negatives by Antonin Sevruguin and other photographers. A grant from the Parsa Foundation funded the digitization and cataloging of the entire Freer and Sackler collection, the largest public collection of Sevruguin’s photographs outside of Iran. These prints and plates, assembled from the donated holdings of avid collectors and historians, form the core of a rapidly growing collection of early photography of Iran and establish the Freer and Sackler Archives as a leading center for its study.

If you have individual images or albums of photographs taken in Iran and other Near Eastern countries before 1950, please consider donating them to the Freer and Sackler Archives. Contact 202.633.0533 or AVRreference@si.edu for more information.






Wednesday, February 20, 2013

Orientalist Photography

Orientalist Photography
The collection includes late nineteenth century and early twentieth century architecture in
Arab cityscapes and natural landscapes. The photos bear witness to the scars left by the
Ottoman empire , French and English. The collection includes postcards and albumen
photographs. The majority of the albumen photos where taken by professional
photographers, including the Zangaki brothers, Pascal Sabah and Lehnert & Landrock.


Orientalist photography (and painting) was born out of the westerners' desire for
entertainment and amusement. It capitalizes on portraying Arabs as savages in staged
settings. One section of the collection, the Colonial Harem postcards, is a testimony to this
notion. The Colonial Harem postcards were created primarily by French photographers.
The models for these postcards were very young girls from north Africa, primarily Morocco
, Alger, Tunis, and Egypt .. The photographs were staged to duplicate the compositions
of the western orientalist painters, embedding the false conception of the uncivilized Arab
even deeper in the western psyche.


The stereo-topical photographs of the Palestinian people and their lifestyle were created
to target western Christians, many of whom never traveled from their homes but were
curious about the birth place of Jesus.

Thursday, December 13, 2012

New Open Access Journal: Asfar

Asfar

http://www.asfar.org.uk/images/Asfar-logo.png
Asfar is a new dynamic initiative designed to inspire, provide a platform and offer a support network to young people, students and graduates specialising in and interested by the Middle East.

Through a quarterly e-journal, News updates, and a Travelers Network, Asfar will work with the next generation of the Middle East's writers, thinkers and photographers to exhibit their abilities to a wide audience including academia, diplomatic and general readership.
Focusing on the history, society, culture, development and politics of the Middle East, the e-journal will introduce new ideas, innovative articles and magnificent images of the Middle East.

Remaining politically neutral and non-partisan, Asfar articles will cover a full range of topics: from geography to art, languages to society and from history to cookery. Asfar will review the past and consider the Middle East's future from a regional, state and local perspective.

Asfar is unique project aimed at promoting the study of the region, the curiosity and personal development of individuals fascinated by the Middle East and ensuring the sustained awareness of an area on the cross roads of history.

Sunday, October 14, 2012

Monuments of Syria

Monuments of Syria: A Window on Syria's Past by Ross Burns
This website is a visual introduction to the writer’s two books on the history and archaeology of Syria. Few countries can match Syria in the richness of its historical remains. In the zone west of Aleppo, for example, over 600 Byzantine-era villages survive, often with multiple churches with walls up to their rooflines. There is practically no era not represented in Syria. Palmyra, the great caravan city at the westernmost point of the Silk Road, still slumbers in the desert, its beautifully carved limestone as crisp and dramatic as 2000 years ago. Magnificent reminders of the folly of past confrontations, including the Crusades, survive in the great fortifications that are scattered across the country — the Krak des Chevaliers; the great Islamic citadel that crowns Aleppo; the refuges of the ‘Assassins’ hidden away in the coastal mountains; or the Damascus Citadel that sustained the long Muslim resistance to the Crusades. Not to be overlooked are the many mosques and madrasas, often tucked away quietly in backstreets or buried within the busy suqs (markets) of the major centres.

Those familiar with the extraordinary variety of Syria’s remains are invited to leave their own tips and requests in the Suggestion Box. The task of maintaining an updated store of information on recent research is an unending challenge given the hundreds of sites of historical interest and the continuing research of Syrian and foreign teams. Suggestions will be taken into account in future editions of the works already published or posted to guide other visitors. The Suggestion Box also provides an opportunity for Syrians and others with a passion for the country’s past to post photos or sketches.

And see also:

Monuments of Syria Photostream 
This Flickr site brings together a large number of photographs of archaeological sites in both Syria and Southeast Turkey. The site gives a sample of the archive of 70,000 photos taken over the last 40 years which [the author] hopes to make available to a wider audience. In case of further inquiries, a mailbox is available either through Flickr or here.

Tuesday, August 28, 2012

Alexandria Bombardment of 1882 Photograph Album

Alexandria Bombardment of 1882 Photograph Album
http://digitalcollections.aucegypt.edu/utils/getthumbnail/collection/p15795coll9/id/117
The Alexandria Bombardment of 1882 Photograph Album digital collection was originally compiled by Italian photographer Luigi Fiorillo. This unique resource documents the British naval attack on 'Urabi Pasha's nationalists, who revolted against Taufik Pasha, the Khedive of Egypt, from 1879 to 1882. Fiorillo’s fifty page album records damage to Alexandria's neighborhoods, particularly the harbor and the fortress district. The images trace the development of episode from the arrival of the British fleet to the destruction of the emerging downtown district. Further, the photographs show the artillery and forts used by the resistance. The album also features portraits of the key players in the bombardment, including 'Urabi Pasha, Khedive Taufik, Admiral Seymour, and Sir Wolseley.

Fiorillo was active from the 1870s to the 1890s. Although his main studio was located in Alexandria, he is known to have traveled widely throughout Egypt and Africa. He is best known for this distinctive album
.

Saturday, May 12, 2012

Historical Photographs of the Land of Israel

Historical Photographs of the Land of Israel: Younes & Soraya Nazarian Library, University of Haifa

The Land of Israel has always attracted professional and amateur photographers. Over the years, archives, institutions and individuals have kept rare collections, documenting its unique views and people. The university's library operates for the digital conservation and documentation of these contents, in order to keep them from wearing out and to provide accessibility for education and research purposes.

In the website are photographs from various sources that were donated to the library's Digital Media Center.

The digital collection is part of the work done by the library of Haifa University. Its purpose is to expose and provide accessibility to historical photographs of the Land of Israel. The project started as cooperation with the department of Land of Israel Studies in Haifa University and Bitmuna project.

The library staff scans and catalogues the photographs. Identification of documented locations, people and events is done with the help of collection owners, information received from users, and the kind help of Mr. Kanisberg, Ronnie.

The website allows access to the library's photographs collections according to theme, contributor or geography. It also allows access to the Digital Media Center's search options, where you can search freely for various materials.

All the photographs in the Historical Photographs of the Land of Israel website are available to the public, under fair use and copyright limitations.



Saturday, December 31, 2011

Open Access Journal: Bulletin of the Association for the Study of Travel in Egypt and the Near East (ASTENE)

Bulletin of the Association for the Study of Travel in Egypt and the Near East (ASTENE)
ISSN 1461-­4316
http://wp.astene.org.uk/wp-content/uploads/2012/10/astene-header.png
The ASTENE Bulletin is published four times a year and aims to keep members informed of research interests and queries in the field of travel in Egypt and the Near East. Members are encouraged to submit information and material for the Bulletin relating to on-going research and interests, conferences etc.

There is also a focus on useful subject-related bibliographies and biographies. The Bulletin contains the following regular or semi-regular features: articles — perhaps on work in progress, which should be no more than 2,000 words; select bibliographies; features on research resources; ASTENE news: publications, conferences, seminars, exhibitions etc.; other exhibitions, conferences of interest; announcements of relevant books/articles — in preparation, forthcoming, recently published; members' notes and queries.

Submissions for the next Bulletin must be received by 15th December 2010. We welcome articles, queries, replies and other related matters from members. Please send the contributions to the Editors, Sheila and Russell McGuirk via email at bulletin@astene.org.uk

Bulletin No.51 Spring 2012
Bulletin No.50 Winter 2011/12
Bulletin No.49 Autumn 2011
Bulletin No.48 Summer 2011
Bulletin No.47 Spring 2011
Bulletin No.46 Winter 2010/11
Bulletin No.45 Autumn 2010
Bulletin No.44 Summer 2010
Bulletin No.43 Spring 2010
Bulletin No.42 Winter 2009/10
Bulletin No.41 Autumn 2009
Bulletin No.40 Summer 2009
Bulletin No.39 Spring 2009
Bulletin No.38 Winter 2008/09
Bulletin No.37 Autumn 2008
Bulletin No.36 Summer 2008
Bulletin No.35 Spring 2008
Bulletin No.34 Winter 2007
Bulletin No.33 Autumn 2007
Bulletin No.32 Summer 2007
Bulletin No.31 Spring 2007
Bulletin No.30 Winter 2006-7
Bulletin No.29 Winter 2006
Bulletin No.28 Summer 2006
Bulletin No.27 Spring 2006
Bulletin No.26 Winter 2005
Bulletin No.25 Autumn 2005
Bulletin No.24 Summer 2005
Bulletin No.23 Spring 2005
Bulletin No.22 Winter 2004
Bulletin No.21 Autumn 2004
Bulletin No.20 Summer 2004
Bulletin No.19 Spring 2004
Bulletin No.18 Winter 2003
Bulletin No.17 Autumn 2003
Bulletin No.16 Summer 2003
Bulletin No.15 Spring 2003
Bulletin No.14 Supplement Winter 2002
Bulletin No. 14 Autumn 2002
Bulletin No.13 Spring 2002
Bulletin No.12 October 2001
Bulletin No.11 April 2001
Bulletin No.10 October 2000
Bulletin No.9 April 2000
Bulletin No.8 October 1999
Bulletin No.7 April 1999
Bulletin No.6 October 1998
Bulletin No.5 April 1998
Bulletin No.4 October 1997
Bulletin No.3 December 1996
Bulletin No.2 August 1996
Bulletin No.1 July 1995